Gallery B exhibits digital art managed by blockchain technology.
Exhibits
Code-based generative | AI-based generative | Photographs | Bitmaps | Digital illustrations | Stop motion
Benjamin Elwyn: Naiadic Variations
2024. Code-based generative, long-form. Animated.
2022. Code-based generative, long-form. Animated.
2022. Code-based generative, long-form. Still.
2021. Code-based generative, long-form. Interactive & animated.
2021. Code-based generative, long-form. Still.
2021. Code-based generative, long-form. Still.
Jos Vromans: Triangle Subdivisions
2021. Code-based generative, long-form. Still.
Loïc Schwaller: Sticky Circles
2021. Code-based generative, long-form. Still.
Gallery B exhibits digital art managed by blockchain technology.
Exhibits
Code-based generative | AI-based generative | Photographs | Bitmaps | Digital illustrations | Stop motion
Gallery B exhibits digital art managed by blockchain technology.
Exhibits
Code-based generative | AI-based generative | Photographs | Bitmaps | Digital illustrations | Stop motion
Aleksejs Zuravlovs: Silhouettes of Nature
2023. Photographs, editioned. Still.
Malicious Sheep: Protest Florals
2023. Photographs, editioned. Still.
2022. Photographs, editioned. Still.
Peter Price: Monochrome Minimalism
2021. Photographs, editioned. Still.
Gustavo Machado: The Life of Legos in the Pandemic
2021. Photographs, editioned. Still.
Gallery B exhibits digital art managed by blockchain technology.
Exhibits
Code-based generative | AI-based generative | Photographs | Bitmaps | Digital illustrations | Stop motion
Daniel Samama: Memories of Travels Never Traveled
2022. Bitmaps, single editions. Still.
2022. Bitmaps, editioned. Still.
Gallery B exhibits digital art managed by blockchain technology.
Exhibits
Code-based generative | AI-based generative | Photographs | Bitmaps | Digital illustrations | Stop motion
Gallery B exhibits digital art managed by blockchain technology.
Exhibits
Code-based generative | AI-based generative | Photographs | Bitmaps | Digital illustrations | Stop motion
Gallery B exhibits digital art managed by blockchain technology.
Exhibits
Code-based generative | AI-based generative | Photographs | Bitmaps
2022
Bitmaps, editioned (still)
United States
2022
Bitmaps, editioned (still)
England
Kato Trofimova: Pixel Schmixel
2022
Bitmaps, editioned (still)
Latvia
Taylor Su: Breathe, Meditation, Sleep, Water & Rest
2022
Digital illustrations, editioned (still)
United States
2021
Digital illustrations, editioned (animated)
Serbia
2022
Code-based generative, long-form (animated)
Australia
Matthew Plummer-Fernandez: Aluna
2021
Code-based generative, long-form (still)
England
2022–2024
Code-based generative, editioned (still)
Brunei
Exhibits (---)
2023. Bitmaps, editioned.
Aleksandra: Chromatlas, Vol. 1–10 (-)
2022. Code-based generative, long-form. Animated.
CMYK: De Pixel (---)
2022. Bitmaps, editioned.
2022. Bitmaps, editioned.
Carlos Nieves: Octaplex (---)
2022. Bitmaps, editioned.
Clint Fulkerson: Zipper (---)
2022. Code-based generative, long-form.
2022. Code-based generative, long-form.
Caleb Ogg: NoisyBits (--)
2022. Bitmaps, editioned.
Ateliê 407: Dots (--)
2022. Bitmaps, editioned.
Magonometria: Flowers (---)
2022. Bitmaps, editioned.
PurpleDrank: Synthwave8s (---)
2022. Bitmaps, editioned.
V5MT: M3MPHI$_BIT (---)
2022. Bitmaps, editioned.
Interpretive Exhibits
Moments and Movements in Generative Art
2021–2024. Editioned generative, code-based.
2022. Code-based generative, long-form. Animated. Poland.
Paweł Grzelak's long-form generative work Padina explores the splendor of fungi in two dimensions. Each iteration animates-to-draw with gradual start and stop motions which mimics the natural growth patterns of fungi. Individual artworks are hyperlinked to a live view at fx(hash). Learn more about Paweł Grzelak at the artist's website. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Matt Perkins: Orchard
2022. Code-based generative, long-form. Still. United States.
Matt Perkins' Orchard is a long-form generative, code-based series that explores impressionism through delicate colors of a singular fruit tree. Individual artworks are hyperlinked to a live view at fx(hash). Learn more about Matt Perkins at the artist's website. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Matthew Plummer Fernandez: Aluna
2021. Code-based generative, long-form. Still.
Loackme's Sticky Circles is a long-form generative, code-based series explores creative manipulation of circular forms. Individual artworks are hyperlinked to a live view at fx(hash). Learn more about Loackme at the artist's X account. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Aleksandra: Chromatlas, Vol. 1–10
2022. Code-based generative, long-form. Animated.
Loackme's Sticky Circles is a long-form generative, code-based series explores creative manipulation of circular forms. Individual artworks are hyperlinked to a live view at fx(hash). Learn more about Loackme at the artist's X account. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Anugrah Agung: Quarantine Loops
2022. Digital illustrations, editioned. Animated. Indonesia.
Anugrah Agung's Quarantine Loops is a short series of editioned illustrations. Individual artworks are hyperlinked to a live view at Teia. Learn more about Anugrah Agung at the artist's Behance profile. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Taylor Su: Breathe, Meditation, Sleep, Water & Rest
2022. Digital illustrations, editioned. Animated. United States.
Breathe, Meditation, Sleep, Water & Rest by Taylor Su is a short series of editioned illustrations. Individual artworks are hyperlinked to a live view at akaSwap. Learn more about Taylor Su at the artist's website. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Juan Manuel Yañez: Breathe, Feel, Vibe, Behold
2021. Digital illustrations, editioned. Animated. Argentina.
Breathe, Feel, Vibe, Behold by Juan Manuel Yañez is a short series of editioned illustrations. Individual artworks are hyperlinked to a live view at Teia. Learn more about Juan Manuel Yañez at the artist's website. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Flora Yumi: Sensitivity and Power of Nature
2021. Stop motion, editioned. Animated. Brazil. She/her.
Sensitivity and Power of Nature by Flora Yumi is a short series of stop motion animations in which her original paintings are used to create each frame. Individual artworks are hyperlinked to a live view at Teia. Learn more about Flora Yumi at the artist's website. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Mary Maka: Letters
2021. Illustrations, editioned. Animated. Serbia.
Mary Maka's Letters is a series of editioned illustrations. Individual artworks are hyperlinked to a live view at Teia. Learn more about Matt Perkins at the artist's website. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
James Shedden: Directions
2021. Code-based generative, long-form. Still. England.
Directions, a code-based generative, long-form series by James Shedden, explores themes of movement and boundaries. Individual artworks are hyperlinked to a live view at fx(hash). Learn more about James Shedden at the artist's website. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Loïc Schwaller: Sticky Circles
2021. Code-based generative, long-form. Still. Netherlands.
Loïc Schwaller's Sticky Circles is a long-form generative, code-based series explores creative manipulation of circular forms. Individual artworks are hyperlinked to a live view at fx(hash). Learn more about Loïc Schwaller at the artist's website. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Orr Kislev: Two Specimen
2021. Code-based generative, long-form. Still. Israel.
Orr Kislev's Two Specimen is a code-based, long-form generative series that explores duality and symmetry. Individual artworks are hyperlinked to a live view at fx(hash). Learn more about Orr Kislev at the artist's X account. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Johan Holwerda: Lines
2021. Code-based generative, long-form. Interactive & animated. Netherlands.
Johan Holwerda's Lines is a code-based, long-form generative series that explores minimalism with lines of attraction. Interactive elements allow viewers to create new arrangements within the set parameters. Individual artworks are hyperlinked to a live view at fx(hash). Learn more about Johan Holwerda at the artist's X account. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Jos Vromans: Triangle Subdivisions
2021. Code-based generative, long-form. Still. Netherlands.
Jos Vromans' Triangle Subdivisions is a code-based, long-form generative series that explores symmetrical patterns created by subdividing equilateral, right, and isosceles triangles with minimal code. Individual artworks are hyperlinked to a live view at fx(hash). Learn more about Jos Vromans at the artist's website. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
We Throw Rocks: BoatsAfloat
2024. AI-based generative, medium-form. Still. Germany. She/her.
In BoatsAfloat, artist We Throw Rocks, combines generative techniques with AI that is informed of her physical collage work. The result is a series of captivating compositions that blend traditional and digital art. Individual artworks are hyperlinked to full-screen views and were minted on EmProps. Learn more about We Throw Rocks at the artist's website. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Daniel Samama: Memories of Travels Never Traveled
2022. Bitmaps, single edition. Still. Netherlands.
The series "Memories of Travels Never Traveled" by Daniel Samama explores abstraction within an 8x8 canvas. As per the artist, "Every piece is a single edition. A single edition for a non-existing memory of a non-existing itinerary that was never traveled in reality, but now is in your mind." Individual artworks are hyperlinked to a larger view on TezTok (an alternate user interface for 8bidou). Learn more about Daniel Samama at the artist's website. Provenance is managed by the Tezos blockchain. Storage is managed on-chain by the Tezos blockchain.
Studio Yorktown: Abstractions
2022. Bitmaps, editioned. Still. United Arab Emirates.
In the series "Abstractions" by Studio Yorktown, the artist uses a limited color palette within an 8x8 canvas to create compelling minimalist designs. Individual artworks are hyperlinked to a larger view on TezTok (an alternate user interface for 8bidou). Learn more about Studio Yorktown at the artist's website. Provenance is managed by the Tezos blockchain. Storage is managed on-chain by the Tezos blockchain.
Todemashi: smolStalt
2022. Bitmaps, editioned. Still. Italy.
In the series smolStalt by Todemashi, the artist uses a triad color palette within an 8x8 canvas. Individual artworks are hyperlinked to a larger view on TezTok (an alternate user interface for 8bidou). Learn more about Todemashi at the artist's X account. Provenance is managed by the Tezos blockchain. Storage is managed on-chain by the Tezos blockchain.
Kato Trofimova: Pixel Schmixel
2022. Bitmaps, editioned. Still. Latvia. She/her.
In Pixel Schmixel by Kato Trofimova, the artist creates with 6 colors in an 8x8 canvas. Individual artworks are hyperlinked to a larger view on TezTok (an alternate user interface for 8bidou). Learn more about Todemashi at the artist's X account. Provenance is managed by the Tezos blockchain. Storage is managed on-chain by the Tezos blockchain.
Ben Lewis: Hatchet Uzumaki
2022. Bitmaps, editioned. Animated. Australia.
In the series smolStalt by Todemashi, the artist uses a triad color palette within an 8x8 canvas. Individual artworks are hyperlinked to a larger view on TezTok (an alternate user interface for 8bidou). Learn more about Todemashi at the artist's X account. Provenance is managed by the Tezos blockchain. Storage is managed on-chain by the Tezos blockchain.
Nitant Hirlekar: Battle of Soul
2022. Bitmaps, editioned. Still. India. He/him.
The series "Battle of Soul" by Nitant Hirlekar explores emotional evolution within an 8x8 canvas. Individual artworks are hyperlinked to a larger view on TezTok (an alternate user interface for 8bidou). Learn more about Nitant Hirlekar at the artist's website. Provenance is managed by the Tezos blockchain. Storage is managed on-chain by the Tezos blockchain.
Benjamin Elwyn: Naiadic Variations
2024. Code-based generative, long-form. Animated. England.
In Benjamin Elwyn's Naiadic Variations, a code-based generative, long-form animated series, the artist was inspired by London’s Barbican fountains, and used code to capture mythical water nymphs, or naiads, as fluid, ever-changing shapes. Artworks are hyperlinked to a full-screen animated view on ONCHFS and were minted at fx(hash). Learn more about Benjamin Elwyn at the artist's website. Provenance and storage is managed by the Tezos blockchain.
lemonde2d: Camera Unroll
2022. Photographs, editioned. Still. France.
In Camera Unroll, an editioned photograph series, artist lemonde2d navigates composition and space in landscapes. Artworks are hyperlinked to a full-screen view on IPFS and were minted at Objkt. Learn more about lemonde2d at the artist's X account. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Malicious Sheep: Protest Florals
2023. Photographs, editioned. Still. United States. She/her.
In Protest Florals, artist Malicious Sheep immerses the viewer with slices of botanical splendor. Individual artworks are hyperlinked to full-screen views and were minted at Teia. Learn more about Malicious Sheep at the artist's X account. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Gustavo Machado: The Life of Legos in the Pandemic
2021. Photographs, editioned. Still. Brazil.
In The Life of Legos in the Pandemic by Gustavo Machado, the artist creates scenes depicting isolation and starkness, inspired by the COVID-19 pandemic. Individual artworks are hyperlinked to full-screen views at Teia and were minted at Hic Et Nunc. Learn more about Gustavo Machado at the artist's website. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Peter Price: Monochrome Minimalism
2021. Photographs, editioned. Still.
In Monochrome Minimalism, an editioned photograph series, artist Peter Price captures geometric forms and shadows in architectural scenes across Germany, the Netherlands, and France. Individual artworks are hyperlinked to full-screen views on IPFS and were minted at Objkt. Learn more about Peter Price at the artist's X account. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System.
Aleksejs Zuravlovs: Silhouettes of Nature
2023. Photographs, editioned. Still. Russia.
In Silhouettes of Nature, an editioned photograph series, artist Aleksejs Zuravlovs uses macro photography to explore the intricate beauty of the natural world. Individual artworks are hyperlinked to full-screen views on IPFS and were minted at Objkt. Learn more about Aleksejs Zuravlovs at the artist's X account. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System (IPFS).
Yazid: Selected Works
2022–2024. Code-based generative, editioned. Still.
Black White Green Red by Yazid utilizes a spatial composition resulting in a sense of density and constraint. The protection and care of children is crucially important during international conflicts. The medical and mental health needs of children in Gaza are supported by the International Network for Aid, Relief, and Assistance (INARA). The primary proceeds from sales of Black White Green Red go directly to INARA.
Moments and Movements in Generative Art
2021–2024. Editioned generative, code-based
In Silhouettes of Nature, an editioned photograph series, artist Aleksejs Zuravlovs uses macro photography to explore the intricate beauty of the natural world. Individual artworks are hyperlinked to full-screen views on IPFS and were minted at Objkt. Learn more about Aleksejs Zuravlovs at the artist's X account. Provenance is managed by the Tezos blockchain. Storage is managed by the InterPlanetary File System (IPFS).
#ukraine
#henreunionHic et Nunc (HEN) was a decentralized marketplace for digital art on the Tezos blockchain.#henthousand: Event celebrating the milestone of 10,000 blockchain artworks.
#hen100k: Event celebrating the milestone of 100,000 blockchain artworks.
#hen250k: Event celebrating the milestone of 250,000 blockchain artworks.
#hen500k: Event celebrating the milestone of 500,000 blockchain artworks.
#hen1M: Event celebrating the milestone of 1 million blockchain artworks.
#hen2M: Event celebrating the milestone of 2 million blockchain artworks.
#hen3M: Event celebrating the milestone of 3 million blockchain artworks.
#henreunion: A reunion for artists, and collectors to celebrate progress, share experiences and foster connections.
#OBJKT4OBJKTThe #OBJKT4OBJKT event was part of a movement within the blockchain art community to encourage creators to support each other by exchanging digital artworks. The idea was that artists would offer one of their own artworks at a low price in exchange for another artist's artwork also at a low price which created a reciprocal exchange of value and promoted community engagement within the blockchain art space. The first #OBJKT4OBJKT community event took place on March 26-28, 2021.In that spirit of reciprocal exchange of value and community engagement, Kelly Milligan offered "Primordial Type - #OBJKT4OBJKT" on September 9, 2021 for 0.01 XTZ ($0.06 USD). Milligan uses the #OBJKT4OBJKT hashtag in the artwork which explores kinetic typography with Canvas & Javascript. The artwork feels singular in its symbolism for a cultural event that has endured for years and continues to do so today.
#GNHENHic Et Nunc (HEN) launched on March 1, 2021, and provided a wave of social and cultural innovation embodied by digital art on blockchain. Then, the site was abruptly closed on November 11, 2021.
Hic Et NuncHic Et Nunc (HEN) launched on March 1, 2021, and provided a wave of social and cultural innovation embodied by digital art on blockchain. Andreas Eliassen's CS_005 was minted in March 2021 and was one of the earlier generative art pieces on the platform.